![]() The idea of a hunting trip gone wrong is not terribly fresh. There is a certain elegance to the cinematographer Mark Gyori’s camera movements that belies the rugged danger that addresses almost every minute of this tensely gripping drama. The frames rarely stay still in Matt Palmer’s 2019 film ‘Calibre.’ The camera is either zooming in or sweeping from the left to right or vice versa, taking in a landscape and the movements of people therein. Representative image/ Photo by Will Porada on Unsplash ![]()
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